Your experience of the Unison Sculpture Garden begins as you enter the driveway.
Rising from the lawn in front of the office is a window from Masao Gozu.
You've seen his miniatures here before. This piece is full sized.
Over by the theater door is Annie O'Neill's Ibis, and around the corner to the right is Joy Brown's current work.
Ahead you see the Torii gate, and the kiosk to the right. At the kiosk you can get a list of sculptures (in the door on the left).
You will also find Unison-adressed envelopes for donations. Drop it in the slot, or take it home and mail it back.
Passing through the gate is entering a different world. Allow yourself a few moments for the transition.
Are birds singing? Flowers blooming? Who else might be around?
Ahead of you, John Cino's Duet rises from a bed of ferns.
Starting from your left, notice works by Siuyoung Yao, Don Bruschi, Craig Shankles, and Judy Sigunick — how they are placed among the trees and rocks.
This year's offering from Kaete Brittin Shaw stands along the path through the woods, towards the open field.
But first, see the dozen concrete babies on the right. They are "Lost", by Anti Liu.
As the path splits in two, we find works by Bill Shillalies, John Kahn, Devon Thomas (in his first year here) and Judy Richardson.
Heading toward the open field, see sculptures by Jay Bedient, Stephen Fabrico, and Bill Shillalies.
Finall the woods open up to a collection of larger pieces by Nicolae Golici, Judy Richardson, Richard Brachman, Shelley Parriot ...
and Hans van de Bovenkamp, whose "The Kiss" is a permanent part of our collection.
Through our second Torii gate lies the Labyrinth, where the pieces in the center and around the edge are by Bill Shillalies.
The Labyrinth is also a meditation aid. See The Labyrinth Society for more information.
Heading back towards the woods we have works by Ugur Kunst, Ursula Clark, Kevin Vanhentenryck, Judy Richardson, Jay Bedient, Michael Ritchie and Naomi Teppich.
Now re-enter the woods, out of the direct sun &mdash or perhaps the rain.
Along the path are works by John Kahn, Joy Brown, Michael Ciconne, Scarlet Colson, Matt Pozorski and David Skora.
Around the pond you can sit down — on the small bench or a rock by the pond. Look closely; some works are set back in the trees.
Continuing on, read the "Posted" signs by Francois Deschamps. But don't worry, you have permission to be here.
Before we exit the woods for the final time, there is a final cluster.
We have come full circle, and you can see the massive window again. But before you leave, stop at the kiosk for a list, and a donation envelope, if you didn't before.
